Het Laatste Nieuws

As of 31 March 2024, Dutch authors can benefit from the resale right in Australia! This means that when any of their works are resold in Australia,… arrow-right

Pictoright uses the option of making a rights reservation within the purposes of Article 15o Copyright Act and Article 4 DSM Directive. Pictoright believes that prior permission… arrow-right

Dutch copyright association Pictoright has summoned Meta, the parent company of Facebook and Instagram, for copyright infringement. The company is not fulfilling its legal obligations to visual… arrow-right

For some time Pictoright has been concerned with the topic of Artificial Intelligence (AI), especially where the risks of training generative AI on works of our affiliates are… arrow-right

Although the summer vacations are in full swing, Pictoright is not standing still. For example, we have again updated our FAQ with our latest insights on AI… arrow-right

Pictoright magazine number 29 is out now! In this issue we focus extensively on the developments in the field of Artificial Intelligence; we introduce you to a number… arrow-right

The additional distribution of the collective rights has been finalized. You will find the credit note and accompanying breakdown in your ‘mypictoright-acocunt’ or you will receive it… arrow-right

Following the Evaluation of the Copyright Contracts Act in 2020, a new proposal has been submitted to the Council of State: the Strengthening of Copyright Contracts… arrow-right

The European Parliament in Brussels recently passed the so-called ‘AI Act’ – a law that will regulate (the development of) Artificial Intelligence. This act includes new clauses that… arrow-right

The U.S. Supreme Court has ruled that Pop Art artist Andy Warhol infringed on copyright protection rules when he created a series of silkscreens based on… arrow-right

Within European legislative bodies, a lot of hard work is being done on regulations that are going to apply to artificial intelligence: the so-called “AI Act”. Last… arrow-right

  On Monday, March 20, Diederik van Leeuwen was appointed president of Pictoright. He succeeds Bart Drenth, who resigned the chairmanship after becoming director of art and… arrow-right

  Next quarter the post-repartition will take place. If relevant to you, this will include the collective fees not previously paid to you over the years 2017… arrow-right

Together with the BBK, BNO, BOK, DuPho, Kunstenbond, NVJ/NVF and Platform BK, Pictoright has founded the Federatie Beeldrechten. From today you can visit the website! Image creators… arrow-right

Visual artist Peim van der Sloot (Utrecht, 1986) has been affiliated with Pictoright for his individual rights since 2020. In this video he talks about his work and… arrow-right

Pictoright has taken note of the ruling in the case of Dijkstra v. Dutch News, which has understandably caused some unrest among photographers. For details of this… arrow-right

  /app/assets/Logo-animatie-v3-19201080.mp4   It is Pictoright’s pleasure to invite you to attend the launch event of the Image Rights Federation on Thursday, February 16, at Pakhuis de… arrow-right

Pictoright has recently been receiving regular messages from creators concerned about developments in Artificial Intelligence (AI). For example, makers are sounding the alarm that their work is… arrow-right

Was your work used in French books, newspapers, magazines or television programs in 2022? Then fill out the forms you can find here: https://pictoright.nl/downloads/downloads-voor-makers/ and send… arrow-right

The December collective rights distribution has been completed. Go to the MyPictoright portal to view your credit note and the specification. Collective rights distribution 2021 In… arrow-right

12-1-2023

HAPPY NEW YEAR

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Pictoright magazine #28 was recently published, and the affiliates who live in the Netherlands have already been able to find it on the mat. In this issue,… arrow-right

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Statement submitting AI generated works

For some time Pictoright has been concerned with the topic of Artificial Intelligence (AI), especially where the risks of training generative AI on works of our affiliates are concerned. There are also more and more authors who are starting to work with generative AI. This means that we also occasionally get questions about whether our affiliates may submit work generated (in part) using AI for collective rights. This is a difficult question, also because the law on this is not yet so clear. A condition for giving up and receiving compensation is, of course, that a work meets the copyright test for protection. To do so, a work must, among other things, be based on certain “creative choices” made by the author. So far it is unclear how this criterion is interpreted where AI is concerned (see also our FAQ on this subject: : Worden AI-creaties beschermd door het auteursrecht? – Pictoright).

Since there is no clarity at this time about the copyright on work that is (partially) AI generated, we want to leave this judgment to the person who submits. If you believe that certain creative choices were made in the creation of your work (for example in the prompt or post-processing) and the license agreement with the tool provider does not include anything otherwise, then this work can be submitted to Pictoright to claim collective rights. What is important here, however, is that the author should also be able to explain these choices upon request and possibly provide visual support if this work is picked out in the audit. So it is important to document your process well, from prompt to final product. In any case, the initial assessment lies with the author himself (as it does now when you submit a work).
Of course, this can always change when the law changes or is clarified. Developments in copyright and AI are moving incredibly fast, so it could be that Pictoright will eventually have to revise its position on this.